Over the last few months, I’ve found myself reaching for gradient yarns more and more frequently. Don’t get me wrong, I think solid or heathered colorways are still my favorite, but I think gradient colorways are giving me the space to work with more than one color without sacrificing the complexity of the project. Gradients allow you to continue to play around with texture, something I’ve been drawn to of late. This is a roundabout way of saying that when Wonderland Yarns asked me if I wanted to design a pattern for their March Blossom Club, they received an enthusiastic yes!
It took a few tries before I landed on a design that I was happy with, despite going into the design process with the idea of “head in the clouds” after seeing the colorway. My first attempt was a shawl that didn’t make it much further than casting on. Then I tried a cowl with a provisional cast on with the general goal of grafting the ends together at the end, this design didn’t make it much further than the second repeat. Third time was the charm, although I did have to put it down for an evening before committing to it. Visualizing the way a design is going to knit up and block is very difficult – even making a gauge swatch leaves a lot left to the imagination when it comes to what the larger garment will look like. There’s this delicate balance between creating from an idea and calling the project when it’s clear that it’s not working out the way that you intended it to.
Head in the Clouds is a quick knit cowl, despite being knit in fingering weight yarn, with a textured design meant to remind the wearer of birds migrating and puffy clouds in the sky. Guage is not important for this pattern, but not knitting the cowl to gauge will affect yardage requirements (and Head in the Clouds uses just about an entire skein of blossom!).