Stardust has a special place in my heart. It’s a book that I can reach for again and again, without the intention of discovering something new, but rather the intention of falling into a land I wish I could go to. Portal literature (think books like Alice in Wonderland where the reader starts off in the real world before “falling down the rabbit hole”) tends to hold a special place in my heart because I love the idea that there is a magical land waiting for me to discover the door to it.
There are many different adaptations of Stardust and they all seem to tell the story just a little differently. One of the most notable differences, in my opinion, is whether or not there is a final battle between the witches and Tristian for Ivaine’s heart. In the book, the witch recognizes that Ivaine’s heart was given freely to Tristian and therefore not usable to her. Though not very sensational, this idea has always struck me as romantic and beautiful. After all the idea that a heart freely given to someone cannot be taken by someone else provides a beautiful moral to the story, be careful who you give your heart to for you have no control how gentle they will be with it or how willing they will be to protect it.
The book also feels more adult than the movie does, spending more time developing the land beyond the wall as a place as opposed to racing the viewer through it while bouncing from one plot point to the next. This isn’t to say that I don’t enjoy the movie (in fact it’s one of my favorites), it’s just that the two versions are very different experiences.
No matter which version you are enjoying, it’s hard to get over the idea that a bunch of brothers need to kill each other for the right to rule over the land. There’s no way that I can look at this where I end up with confidence in the final son who is allowed to rule (although perhaps that is the point considering that Tristian is said to do a good when he finally decides to take up the mantle).
May’s book club will be a little more serious than Stardust, we’ll be reading Turn of the Key by Ruth Ware. It’s been a little while since I’ve fallen into a good suspense story and The Woman in Cabin 10 was enjoyable. Let’s see if reading about a nanny working with children who ends up in jail is more intense when you have a baby sleeping in the other room!
When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family.
What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder.
Writing to her lawyer from prison, she struggles to explain the unravelling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant.
It was everything.
She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is.
Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.